HP abandoning camera market?
Posted on November 10, 2007 - Filed Under Digital, Photo | Leave a Comment
HP today announced that it will seek an alternative business model for its HP-branded cameras and shift resources toward its Print 2.0 growth initiatives.
HP is currently working to identify an original equipment manufacturer (OEM) partner that would be licensed to design, source and distribute digital cameras under the HP brand. HP will continue selling its own cameras through the holiday season and intends to have the partnership arrangement in place in the first half of 2008.
This shift in strategy is intended to enable HP to accelerate its investment in Print 2.0 initiatives. These include furthering HP’s leadership position in home photo printing and online photo services, while accelerating the company’s retail photo-finishing business.
Announced in May 2007, the company’s Print 2.0 strategy focuses on three areas: delivering a next-generation digital printing platform that increases print speeds and lowers the cost of printing for high-volume commercial markets; making it easier to print from the web; and, extending HP’s digital content creation and publishing platforms across all customer segments.
As a result of its new camera business strategy, HP will take a pre-tax charge of approximately $30 million in the fourth fiscal quarter ending Oct. 31, 2007.
Book Review – Adobe Photoshop CS3 for Photographers: Video Training Book With Chris Orwig From Lynda.com
Posted on November 10, 2007 - Filed Under Culture, Photo | Leave a Comment
Back a few months ago I did a review of Adobe Photoshop CS3 For Photographers by Chris Orwig. That training video ran over 13 hours and was very in depth. Well, the people at Lynda and at Peachpit Press have teamed up and have put together a condensed version of that training video together with a 160 page book and called it Adobe Photoshop CS3 for Photographers: Video Training Book.
Adobe Photoshop CS3 for Photographers: Video Training Book breaks out into 13 chapters which correspond to the video training. The reference guide is meant as a way for you to follow along and reinforce the video training. Time codes are provided so that you can navigate to specific points in each video to watch. The exercise files are provided as well for you to work along with.
Chapter 1, "Getting started" briefly covers working with the new tools palettes and working with docked palettes. Chapter 2, "The Digital Image" gets you started with image sizing, cropping, straightening images, and rotating images.
Chapter 3, "Getting Started with Bridge" introduces you to Adobe Bridge and starts you working rating, sorting, and filtering images. Chapter 4, "Camera Raw Workflow" examines working with Adobe Camera Raw (ACR). You will learn about the ACR controls, how to white balance, control shadow clipping, sharpen images, reducing noise, and making tonal curve adjustments, as well as opening files in Photoshop.
Chapter 5, "Layers" shows you how to create a layer oriented workspace, as well as how to work with layers. Chapter 6, "Masking" takes you through the basics of working with masks, how to paint on masks, as well as a few other tricks you can accomplish with masks. Chapter 7, "Selections" gives you an overview on making color range selections and combining selections with paths.
Chapter 8, "Levels" provides an introduction to what levels are, and how you can enhance color and tone with them, as well as modifying color. Chapter 9, "Curves" begins to show you how to use curves with channels to enhance contrast, tone, and color.
Chapter 10, "Burning and Dodging" examines how to burn with blend modes, bring down highlights, and balance color. Chapter 11, "Black and White Conversion" takes you through the new CS3 Black and White conversion tool.
Chapter 12, "Image Correction" explains how to clean up dust, scratches, apply Smart Filters, and work with the Healing tools. Chapter 13, "Retouching" finishes the lessons with techniques for removing fly-away hair, brightening eyes, changing eye color, and cleaning teeth.
Compared to the full training, I was a little disappointed. Adobe Photoshop CS3 for Photographers: Video Training Book appears to be very thrown together. Primarily bits and pieces of the online course compiled with the book. To the average person, I think, it would be very confusing.
I think to someone with advance novice to intermediate skills, Adobe Photoshop CS3 for Photographers: Video Training Book could work to help you learn some new techniques and skills. The other thing is that if you purchase this book and have never tried Lynda, you get a one month free pass in which you could view the full 13 hour training course and that would be a deal!
Lowepro digital camera bags
Posted on November 9, 2007 - Filed Under Digital | Leave a Comment
Lowepro digital camera bags Cirrus TLZ line : Lowepro unveiled Cirrus TLZ, a line of top-loading camera bags designed for all kind of digital cameras. Designed for even the most discriminating photographer, the Cirrus series camera bags provides maximum protection for the latest digital cameras and optimal comfort and accessibility. The Cirrus line of camera bags is available in three models: Cirrus TLZ 5, 15, and 25. Designed for the newest digital cameras, the Lowepro digital camera bags Cirrus TLZ series easily protects both camera and lens from outside elements. The interior features a built-in memory card pocket for quick changes and the brushed-tricot lining protects LCD screens from scratches.
“The arrival of the Cirrus TLZ line of top-loading digital camera bags reflects Lowepro ongoing dedication to photographers by delivering products with the highest level of protection for the very latest digital cameras,” said Suzanne Caballero, marketing communications manager of Lowepro Worldwide. “The digital imaging market is constantly advancing with new models and features to improve the photography experience. The Cirrus TLZ series provides users with a carrying option that offers complete protection and convenient access enabling them to capture treasured moments.”
Lowepro digital video camera bags
Lowepro also announced a new line of shoulder bags for video cameras; the Clips series for digital video cameras. Designed for today’s compact and technologically-advanced digital video cameras, the Clips series was created for durability and style, providing a comfortable and accessible storage solution that protects equipment from dirt, dust and other potentially damaging elements.
Digital camera shoulder bags
The exterior of the bags are constructed of rugged water- and abrasion-resistant fabric to provide durability and style. Adjustable shoulder strap, padded handles and belt loops present a variety of comfortable carrying options. These lightweight and compact top-loading digital camera shoulder bags provide camera users with solid protection and immediate access to capture those once in a lifetime moments.
Cirrus TLZ bags – Specifications & Dimensions
Additional features include dust resistant reversed zippers to keep dust away from imaging equipment and water resistant outer fabric to protect against moisture. 360-degree swivel clips prevent tangling of shoulder straps. The dimensions of the Cirrus shoulder bags are as follows:
• Cirrus TLZ 5: External: 11.5 x 11.5 x 17 cm 4.5 x 4.5 x 6.7 in.
• Internal: 9.5 x 9 x 11.5 cm 3.7 x 3.5 x 4.5 in.
• Cirrus TLZ 15: External: 18 x 13 x 22 cm 7.1 x 5.1 x 8.7 in.
• Internal: 15.5 x 10.5 x 16.5 cm 6.1 x 4.1 x 8.3 in.
• Cirrus TLZ 25 External: 18 x 13 x 26.6 cm 7.1 x 5.1 x 10.5 in.
• Internal: 15.5 x 10.5 x 21 cm 6.1 x 4.1 x 8.3 in.
Lowepro digital camera bags – Availability
All three Cirrus TLZ models have been designed to ensure photographers have easy-access to their camera and accessories to ensure they do not miss documenting a single moment. Cirrus TLZ 5 has been developed to protect one pro-compact digital camera or ultra-compact video camera. In addition, the front accessory pocket holds batteries and the media storage pocket provides quick access to one memory card. Cirrus TLZ 15 protects one DSLR with lens attached and Cirrus TLZ 25 protects one DSLR with short zoom lens attached. Both Cirrus TLZ 15 and Cirrus TLZ 25 Lowepro digital camera bags are capable of holding multiple memory cards and small accessories. The Lowepro Cirrus Series of top-loading shoulder bags will be available in black and ultra marine blue.
Ricoh Caplio R7 Review at ThinkCamera
Posted on November 8, 2007 - Filed Under Digital, Ratings, Reviews, Tips | Leave a Comment
Think Camera reviews the Ricoh Caplio R7 where they give it a rating of 7 out of 10 and write – “Still, minor issues aside, Ricoh’s R7 is yet another solid device from a growing stable of top-notch cameras. If you are in the market for a reliable, fast compact, that comes with the bonus of a limited-space defying zoom lens that is capable of getting you right up to the action without weighing you down, then the Ricoh Caplio R7 is well worth checking out.”
Eye-Fi Unveils WiFi SD Card
Posted on November 6, 2007 - Filed Under Photo | Leave a Comment
Eye-Fi has introduced an SD card with built-in wireless connectivity that allows it to automatically transfer images to a computer or online destination when in range of a WiFi network. The 2GB Eye-Fi Card stores photos just like any other SD card used in a compatible camera, but can also be set up to send the stored images via WiFi to a PC, a Mac, or any of the following 17 online gallery, blogging, and social networking sites:
Kodak Gallery
Shutterfly
Wal-Mart
Snapfish
Photobucket
Facebook
Webshots
Picasa
SmugMug
Flickr
Fotki
TypePad
Vox
dotPhoto
Phanfare
Sharpcast
Gallery
The Eye-Fi Card is available now for $99.99. For more information, go to the Eye-Fi Web site.
Ricoh GR Digital II
Posted on November 6, 2007 - Filed Under Digital, Photo, Reviews | Leave a Comment
Ricoh today announced the successor to its GR Digital premium compact. The Ricoh GR Digital II carries over the well-received 28mm equiv. lens from its predecessor, matching it to a new 10 megapixel sensor and new GR Engine II image processing system. For those of us with one leg longer than the other there is a new electronic leveling system à la Nikon D3 and the option to shoot TLR-style square images. Performance is said to be improved with a larger buffer memory and halved RAW file-write time with the option of continuous shooting. Battery life is also said to have come on leaps and bounds with up to 370 shots now possible on a charge – the original gave up after 250. The Ricoh GR Digital II will cost £399.99 when it hits UK shops.
Press release:
New Ricoh GR DIGITAL II
Digital camera inheriting the GR DIGITAL concept with even higher image quality and performance.
Tokyo, Japan –30th October – Ricoh Co., Ltd. (president: Shiro Kondo) is proud to announce the development and release of the GR DIGITAL II. This compact digital camera succeeds the high-resolution GR DIGITAL released in October 2005.
The multi-award winning GR DIGITAL was launched as the successor to the GR Series of 35 mm compact film cameras (first released in 1996) that were popular for their superb image quality. The GR’s outstanding performance met the high standards demanded by professional photographers. It’s compact 25mm thin magnesium alloy body has been highly accepted by a wide range of users including high-end amateur and professional photographers in the two years since its release.
The new GR DIGITAL II retains the original concept of the GR DIGITAL of being a high-resolution compact camera that achieves excellent resolving power from edge to edge, low noise, and low colour aberration. In addition, it has, expressive power, operability, and expandability for even higher image quality.
Main features of GR DIGITAL II The GR Digital II achieves even higher resolution with new GR Engine II.
- The GR DIGITAL II is equipped with the newly developed GR ENGINE II image processing engine to keep the excellent resolution, tone characteristics, and colour saturation of the GR DIGITAL, while achieving dramatic reduction in noise.
- A new 1/1.75-inch CCD with 10.01 million effective pixels is employed to achieve improved resolution with an increased number of pixels.
- High image quality that meets the needs of professionals is achieved by coupling with the F2.4 aperture, f5.9 mm focal length (equivalent to 28 mm on a 35mm camera) GR LENS popular for its high resolution feel and low distortion.
Highly expressive photos can be taken thanks to an acceleration sensor that measures camera tilt along the perpendicular axis and the newly developed image processing engine, GR ENGINE II.
- Equipped with an electronic level.
- With the addition of an acceleration sensor, the GR DIGITAL II is equipped with an electronic level function that allows users to know if the camera is level while looking at the LCD monitor. This feature is especially effective when taking pictures of buildings or scenery.
- With the level indicator display on the LCD monitor, composing photos with horizontal or vertical lines visible is now possible without looking away from the camera when shooting.
- There is also a warning sound sensor that can be set to let you know if the camera is level during shooting.
- Square format photography enabled.
- A 1:1 aspect ratio (vertical/horizontal ratio) image size that allows for easy photography of square format images is included.
- Square format is achieved where one can enjoy photography different from standard rectangular images. That aspect ratio has been well received with classic 6×6 medium-format and Ricoh Caplio GX100 cameras.
- RAW mode also is compatible with 1:1 aspect ratio (vertical/horizontal ratio).
- A variety of monochromatic expressions possible with black-and-white (TE*) settings.
- Colour, colour depth, contrast, and sharpness of an image can each be adjusted in +/- five steps.
- Colour can be selected as desired from sepia, red, green, blue, and purple.
*TE＝Toning effect
Enhanced operability within a camera designed to accompany a design to accompany photographers wherever they go.
- The function button allows for one-push mode switching. Settings can be registered to switch between “JPEG and RAW,” “Snap and AF,” “colour and black & white,” and others for quick switching of modes when sudden photo opportunities present themselves.
- Functions registered to the Fn button can be saved to the My Settings Mode.
- By displaying the depth of field in the focus bar, the distance range of the depth of field can be confirmed in advance.
- The 2.7-inch, 230,000-pixel display with a high 160º viewing angle is easy to view from both low and high angles.
- Writing time for RAW mode has been reduced and shooting during RAW image writing has been achieved.
- Image writing time in RAW mode has been reduced to as short as approx. 3.8 sec. In addition, the next shot can be taken whilst the first is still being written thanks to the boosted buffer memory. (RAW writing time for GR DIGITAL was approx. 11 sec., and continuous shooting was not possible.)
- A manual pop-up flash operated by a sliding switch is employed to prevent accidental flash operation. The camera is equipped with a flash exposure compensation function that can compensate light intensity from +2.0 EV to -2.0 EV.
- An information display mode shows specific information of your choice on the screen even when the LCD monitor is turned off thereby increasing its ease of use when using the external viewfinder.
- The mode dial is equipped with two My Setting modes. Simply aligning the mode dial to a My Setting allows the user to switch to a preregistered shooting setting of choice.
- The GR DIGITAL II has been equipped with an ADJ. lever to assign functions with a push after setting values are chosen from the operation menu in ADJ. mode.
- Automatic horizontal or vertical rotation of images according to the camera position has been achieved and can be viewed during playback on the LCD monitor.
- Approx. 370 shots can be taken with one charge of the included rechargeable battery (DB-60). (The GR DIGITAL could take approx. 250 shots.)
- A thin, compact size was achieved, measuring 107.0 × 59.0 × 25.0 (W x H x D) and weighing 168 g, while ease of use was improved.
Expandability is increased with a wide range of optional accessories.
- GR DIGITAL optional accessories can continue to be used with the GR DIGITAL II. And the new GT-1, GV-2, and GC-2 can also be used with the original GR DIGITAL.
- A tele conversion lens (GT-1) equivalent to 40 mm on a 35 mm camera has been added to the lineup for shooting with a standard frame. ※Upcoming product
- An external viewfinder (GV-2) equivalent to 28 mm on a 35 mm camera has been added. It is even compatible with 1:1 aspect ratio image size photography. (The currently available external viewfinder (GV-1) is equivalent to 28 mm and 21 mm on a 35 mm camera.)
- A soft case (GC-2) has been added to the lineup that can accommodate GR DIGITAL II with the GV-2 attached
List of GR DIGITAL II options
- Tele Conversion Len GT-1* (Upcoming product)
- External Viewfinder GV-2*
- Soft Case (For GV-2) GC-2*
- External Viewfinder GV-1
- Wide Conversion Lens GW-1
- Hood & Adapter GH-1
- AC Adapter AC-4c
- Soft Case GC-1
- Neck Strap GS-1
- Neck Strap ST-2
- Cable Switch CA-1
- Rechargeable Battery DB-60
- Battery Charger BJ-6
*Newly released optional accessories
Accessories included
- Rechargeable Battery (DB-60)
- Battery charger (BJ-6)
- USB Cable
- AV Cable
- Hand Strap
- Software CD-ROM
- Instruction Manuals
Ricoh GR Digital II specifications
| Ricoh GR Digital II | |
|---|---|
| Sensor |
• 1/1.75" Type CCD |
| Image sizes | • 3648 x 2736 • 3648 x 2432 • 2736 x 2736 • 3264 x 2448 • 2592 x 1944 • 2048 x 1536 • 1280 x 960 • 640 x 480 |
| Movie clips | • 640 x 480 @ 15/30 fps • 320 x 240 @ 15/30 fps |
| File formats | • JPEG (Exif v2.21, DPOF) • RAW (DNG) • AVI (Open DML Motion JPEG) |
| Lens | • 28mm (35mm equiv) • F2.4 – F11 • 6 elements in 5 groups (2 aspherical elements) |
| Conversion lenses | Yes |
| Digital zoom | up to 4x (up to 5.7x at 640 x 480) |
| Focus | • Auto focus • Manual focus • Snap • Infinity |
| AF area modes | • Multi-point AF • Spot AF |
| AF lock | Yes |
| AF assist lamp | Yes |
| Closest focus distance | • Standard AF: 30 cm • Macro: 1.5 cm |
| Metering | • 256-point multi-segment • Center-weighted average • Spot |
| ISO sensitivity | • Auto • High ISO Auto • ISO 80 • ISO 100 • ISO 200 • ISO 400 • ISO 800 • ISO 1600 |
| AE lock | Yes |
| Exposure compensation | +/- 2EV in 1/3 stop increments |
| Exposure Bracketing | +/- 1/3, 1/5 EV |
| Shutter speed | 1-1/2000 sec |
| Modes |
• Auto |
| Scene modes |
• Skew correct |
| White balance | • Auto • Outdoors • Cloudy • Incandescent • Fluorescent • Manual |
| WB bracketing | Yes |
| Self timer | 2 or 10sec |
| Flash | • Auto, Flash On, Flash Off, Slow Sync, Red-eye reduction • +/- 2EV in 1/3 stop increments • Range (Internal, Auto ISO): 20cm – 3.0m • Hotshoe for external flash unit |
| Viewfinder | Optional hotshoe-mounted viewfinder |
| LCD monitor | • 2.7-inch transparent amorphous silicon TFT LCD • 230,000 pixels |
| Connectivity | • USB 2.0 Hi-Speed • AV out (PAL / NTSC switchable) |
| Storage | • SD, SDHC, MMC compatible • 54 MB internal storage |
| Power | • Li-Ion battery pack DB60 • Optional AC adapter AC-4c |
| Weight (no batt) | 168g (5.9 oz) |
| Dimensions | 107 x 58 x 25 mm (4.2 x 2.3 x 1.0 in) |
Nikon CoolPix S51c – reviews
Posted on November 6, 2007 - Filed Under Digital, Photo | Leave a Comment
For capturing great portraits with ease, Nikon has enhanced their hallmark Face-Priority AF feature. When using the camera’s convenient One-Touch Portrait button, the S51c will be able to detect up to five faces in a frame, ensuring in- focus smiles and properly exposed faces. In addition to face detection, S51c users will be able to take advantage of In-Camera Red Eye Fix™, for fixing most instances of red eye, D-lighting, a feature that automatically lightens dark images as well as Optical Vibration Reduction, ensuring sharp pictures. This camera will also utilize EXPEED™, Nikon’s new imaging processing system for enhanced speed and brilliant color reproduction.
EPhotozine reviewed Nikon CoolPix S51c and wrote:
“It looks nice, and it produces good results. The Wi-Fi connectivity relies on either an open access spot, or being provided with the encryption key, which does limit where it’s going to be used. There’s not much point in using it at home. The LCD screen is large and provides a good viewing platform, though it doesn’t update that quickly if moving the camera. The controls are all on the small side, and while there are some decent photographic features, a camera like this is one for the point and shoot market. Here the operation could have been simpler, but it’s not exactly liquid-fuel driven, vertical propulsion science is it.”
Read whole review here
CNET reviewed Nikon CoolPix S51c and wrote:
“Much like last year’s model, the S51c lets you email images straight from the camera as long as you can connect to a compatible Wi-Fi hot spot. Since the S51c won’t include any way to accept the terms of service of many public Wi-Fi hot spots, you’ll need to access a private wireless router — though the camera will let you enter a security code if the router you’re using is secure. Nikon is also starting its own photo-sharing Web site called myPicturetown and will include 2GB of free storage space with the Coolpix S51c.”
Read whole review here
Press release:
Furthering the development of wireless sharing technology in digital cameras, Nikon today introduced the new COOLPIX S51c digital camera. This camera not only sends images via email through Wi-Fi, but it also supports my Picturetown, Nikon’s new photo sharing and storage service. In addition to an innovative Wi-Fi feature, the S51c boasts 8.1 megapixel resolution for generating high quality prints, a 3x Zoom-Nikkor glass lens ensuring great pictures with true-to-life color, and a huge, bright 3.0-inch LCD screen for users to easily compose and share images. The S51c is also the first in Nikon’s Style line of COOLPIX cameras to utilize the new EXPEED™ image-processing system. To help ensure the consumer will be able to capture stunningly sharp images, the S51c features an Optical Vibration Reduction (VR) image stabilization system and ISO up to 1600, enhancing the camera’s low-light performance.
Nikon CoolPix S51c
“Not only does the S51c boast superior imaging abilities, but it also enhances the photo sharing experience for the consumer,
Fantasea Releases FS-51 Underwater Housing
Posted on November 6, 2007 - Filed Under News, Photo | Leave a Comment
Fantasea has released a new underwater housing for Nikon’s Coolpix S50, S50c, S51, and S51c point-and-shoots. The FS-51 is rated to protect the enclosed camera to a depth of 200 feet, and features an anti-glare hood to cover the camera’s LCD screen, a built-in flash diffuser, and a 41mm lens port. The housing seals all controls with double O-rings.
Controls available on the FS-51 include:
• Shutter Release
• Power Switch
• D-Lighting
• One-Touch Portrait
• Flash Mode
• Macro Mode
• Exposure Compensation
• Self Timer
Hands On: Panasonic Lumix DMC-L10
Posted on November 5, 2007 - Filed Under Cameras, Photo, Reviews | Leave a Comment
As more and more consumers graduate to digital SLR cameras, it’s not surprising that some manufacturers are looking to ease the transition for the first-timers. Features normally found on compact cameras — scene modes, face detection autofocus, and live LCD preview – are now commonly found on DSLRs.
Such is the case with Panasonic’s newest DSLR, the 10.1-megapixel Lumix DMC-L10, which brings with it several features and functions normally found on EVF-style cameras.
The L10 is a good-looking, solidly built camera featuring a Live MOS sensor and a Leica D Vario-Elmarit 14-50mm f/3.8-5.6 Mega Optical Image Stabilized kit lens. The complete kit will cost you $1,300, estimated street, a price that may frighten off some consumers, particularly existing Four Thirds System photographers who may already have a similar lens in their arsenal, whether it’s an older Four Thirds Leica or an Olympus Zuiko lens in the Four Thirds mount.
But for the first-time DSLR buyer, or for the photographer who has decided to switch to the Four Thirds system, the L10′s combination of features and functions, particularly EVF-style Live View mode, may be a real selling point of this package.
We’ve spent the past couple of weeks with the Panasonic Lumix DMC-L10, traveling from New York City to Vermont and back, taking photos all along the way, and there’s a whole heck of a lot to like about this camera.
Lowepro digital video camera bags
Posted on November 4, 2007 - Filed Under Digital | Leave a Comment
Lowepro video camera bags Clips series : Lowepro unveiled a new line of shoulder bags; the Lowepro Clips series bags for digital video cameras. Designed for today’s compact and advanced technological digital video cameras, the Lowepro digital video camera bags Clips series was created for durability and style, providing a comfortable and accessible storage solution that protects equipment from dirt, dust and other potentially damaging elements. With the ability to easily carry a video camera and all of its necessary peripherals all day or throughout an entire vacation of shooting, the Lowepro digital video camera Clips series ensures that the most important moments are never missed.
Lowepro also announced a new line of top-loading camera bags designed for all kind of digital cameras. Designed for even the most discriminating photographer, the Cirrus series camera bags provides maximum protection for the latest digital cameras and optimal comfort and accessibility. The Cirrus line of camera bags is available in three models: Cirrus TLZ 5, 15, and 25. Designed for the newest digital cameras, the Lowepro digital camera bags Cirrus TLZ series easily protects both camera and lens from outside elements.
Clips series video camera bags – Models
Available in four models – the Clips 100, 110, 120 and 140 – each video camera shoulder bag contains a unique pivoting main compartment that enables rapid access to the camera, while the main exterior pocket provides a dedicated tricot-lined compartment ideal for storing and protecting sensitive DVD-R and miniDV media. Lowepro Clips bags are built with dust-reduction reversed zippers and a tough, water-resistant outer fabric, helping to keep out dust, dirt, sand, moisture or other elements that could scratch or damage equipment. On all models 110 and above, Lowepro Clips series contains an adjustable padded divider for additional protection and a customized fit. Finally, the Clips’ adjustable shoulder strap and padded handle offers a variety of comfortable carrying options that allow users to effortlessly keep their video cameras with them all day long.
Lowepro digital video camera bags – Dimensions
• Clips 100: External: 17 x 18.5 x 13 cm / 6.7 x.7.3 x 5.1 in
• Internal: 12 x 7.5 x 14.5 cm/ 4.7 x 3 x 5.7 in
• Weight: .2 kg/ .5 lbs
• Clips 110: External: 22.5 x 15 x 16.5 cm / 8.9 x.5.9 x 6.5 in
• Internal: 16 x 8 x 12 cm/ 6.3 x 3.1 x 4.7 in
• Weight: .3 kg/ .6 lbs
• Clips 120: External: 25 x 15.5 x 19 cm / 9.8 x.6.1 x 7.5 in
• Internal: 18.5 x 8.5 x 15 cm/ 7.3 x 3.3 x 5.9 in
• Weight: .3 kg/ .7 lbs
• Clips 140: External: 28 x 18.5 x 18.5 cm / 11 x.7.3 x 7.3 in
• Internal: 22 x 11 x 14 cm/ 8.7 x 4.3 x 5.5 in
• Weight: .4 kg/ 1 lbs
Lowepro Video camera shoulder bags
“We’re entering the season where some peoples’ most precious memories are made, from graduations to summer vacations to weddings,” said Nicole Mummenhoff, senior vice president at Lowepro. “Consumers buy digital video cameras to make sure those memories are captured and the last thing they want is to miss something as they fumble with their camera bag or have damaged equipment right at that perfect moment. We’ve designed the lightweight and comfortable Clips series of digital video camera bags to provide quick and easy access to everything a videographer might need, while ensuring excellent protection. The Clips series might just save your summer!”