Panasonic Lumix DMC TZ3 review
Posted on October 20, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Panasonic Lumix DMC TZ3 digital camera review : The successor of the Lumix TZ1, the Panasonic Lumix TZ3, was introduced in January of the year 2007. Did the TZ1 impress us with its compact size and onboard 10x Leica zoom lens; the Panasonic TZ3 even exceeds its predecessor. Resolution went up to 7 Megapixels and even more important, the focal range, although staying the same with its 10x optical zoom, gained a wide angle. As a result, this compactcamera has a fine 28-280mm range, absolutely a good achievement. It means that Panasonic is one of few manufacturers to deliver a digital compactcamera with an optical zoom lens that is able to offer wide angle.
Panasonic Lumix camera assortment
The Panasonic Lumix DMC-TZ3 has been available for a while now and is one of the top cameras of the Lumix assortment. A few years ago Panasonic created a path for their Lumix line at which digital photography plays an important role within the total assortment they are offering. As a result a clear line of cameras is available, from simple entry-level cameras to Megazoom cameras and in between the so-called Travel Zoom cameras fitting in the Panasonic TZ3. Panasonic is even offering some two digital SLR cameras with a new model that will be available by the end of 2007.
Panasonic Lumix TZ3 – MEGA O.I.S & Optical zoom
And although the Panasonic Lumix TZ3 is not one of the smallest compact cameras, it certainly has no bulky design either. The camera however might be a tad too large to be carried around in your shirt pocket. More important features are the optical zoom that I mentioned before and the presence of Panasonic’s renowned MEGA O.I.S. image stabilisation system. The latter is undoubtedly of great importance in combination with a large optical range. A fact that Panasonic already acknowledged in an early stadium. Striking is the fact that an electronics company like Panasonic, almost already considered these features as extremely important and that they are equipping their assortment with them. Unlike other well-known manufactures in the photo industry who still shrug their shoulders and equip only some of the compact camera models with a wide angle and an optical image stabilisation system.
Panasonic TZ3 camera review
The Panasonic Lumix DMC – TZ3 is one of the interesting cameras with which Panasonic distinguish themselves thanks to the specifications. On paper these specifications look very promising. Time to find out how they turn out in practice. Besides the standard review, Karin Brussaard, our underwater photography specialist took the Panasonic TZ3 underwater for testing. That review will be published soon. First the Panasonic Lumix TZ3 review…
Olympus E510 review
Posted on October 15, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Olympus E-510 digital SLR camera review : Olympus is making waves with the digital SLR cameras. The models are quickly being improved and renewed. We still await the successor of the E-1 (Olympus E-3), but the Olympus E-510 D-SLR gives us a taste of what is to come. The Olympus E-510 is the successor of the E-500, which was released more than a year and a half ago. The changes made to the E-400 in the E-410 were minimal, but the Olympus E-510 digital SLR is truly different from its predecessor.
Olympus E510 DSLR – LiveMOS image sensor
An important change is the image sensor. Olympus uses a Panasonic sensor for the E-510 instead of a Kodak sensor. The CCD has been replaced with the LiveMOS. As the name suggests, the Olympus E-510 also has Live View, just like other Olympus models have. Live View is now definitively the future of the DSLR. Not only Olympus and Panasonic are applying this, but also Canon and Nikon have included Live View in their new DSLR products. At first Olympus and Panasonic were looked upon with pity when they first showed the Live View, but quickly it appeared to be a consumer advantage.
Olympus E-510 – 10 Megapixel reflex camera
Next to the new sensor the amount of pixels has increased. The Olympus E-510 now has ten Megapixels, the same amount as the E-410. This amount of resolution allows for large prints. The signal is processed differently than in the E-410, though, so that we can expect different results. Thanks to the SuperSonic Wave Filter placed in front of the sensor, you do not longer have to worry about having to retouch a lot of dust spots. This is great, because with ten Megapixels you can see almost every detail. The filter in front of the sensor shakes and the sensor itself can move as well. This has allowed Olympus to integrate a physical image stabilizer. You do not need special lenses in order to prevent blur from camera shake.
Olympus Evolt E-510 – Compact camera body
The dimensions have hardly changed at all. The camera is a bit wider and a bit thinner and longer as well. The prism housing has remained. The camera still has a lot in common with the legendary Olympus OM series. It is compact, yet stylish. The compact body is partly possible because of the FourThirds System, of which Olympus is one of the pioneers. The sensor format is half the size of a 35 mm film. The focal range has a factor of 2, so that a 14-45 mm lens behaves as a 28-90 mm lens would (on a 35 mm camera). The whole system is easy to carry with you.
Olympus E510 D-SLR review
The FourThirds System keeps expanding, not only with new cameras, but with new lenses, including a few real top models. While we tested the Olympus Evolt E-510, we also had a few lenses at our disposal, including the Zuiko Digital 7-14mm 1:4 ED. It is an ultra wide-angle lens, but not quite a fisheye. On a 35 mm camera it would be equivalent to a 14-28 mm lens. This is a very interesting range for photojournalists and landscape photographers. We have tested an Olympus E-510 and a few lenses for a while in our test lab. The results can be read in the next Olympus E-510 review.
Camera Test: Samsung L74 Wide
Posted on October 4, 2007 - Filed Under Cameras, Photo, Reviews | Leave a Comment
The gunmetal grey Samsung L74 Wide (street, $240) is a slim 7.2-megapixel digital camera with a true wide angle 28-101mm f/2.8-5.6 (35 mm equivalent) lens, cool styling, and an easy-to-operate touchscreen interface. Throw in some fun extras and an entertaining (if not always 100% accurate) built-in Tour Guide and you’ve got the ultimate class-trip camera.
Aimed at the youth market, the L74 Wide’s build is solid and stylish. But with a look that’s both modern and retro, the camera should appeal to both old school film shooters and the Web-savvy youths. Throw in a true 28mm equivalent wide angle lens and you’ve got the potential for a serious pocket-sized vacation camera.
About that wide angle lens: it folds back, if not flush, into the body, and it’s a Samsung NV optic, not Schneider-Kreuznach optics like some of its siblings. The circular lens bump is a nice design element that extends from the body about as much as the finger grip’s vertical rubber strip.
Lens Test: Sigma 18-200mm f/3.5-6.3 DC OS AF
Posted on September 28, 2007 - Filed Under Cameras, Photo, Reviews | Leave a Comment
Sigma’s long-awaited, second Optical Stabilizer (OS) lens ($549, street) is an 11.1X digital-only superzoom with one SLD and three aspheric elements. A 29-320mm equivalent, it follows Sigma’s first OS lens, an 80-400mm f/4.5-5.6 ($999, street), by more than four years, and outdoes its predecessor with a sophisticated new autopanning sensor that detects extended lateral movement, then engages only the vertical stabilizer to allow blur where you want it.
HANDS ON:
Average in weight and size, the body is polycarbonate and the lensmount is metal. Focus and zoom rings are clad in ribbed rubber. The manual-focus action is somewhat underdamped, and the turning radius is unusually short — so short that the digits of the distance scales are jammed together and not easily deciphered. But the macro scale on the extended barrel is a snap to read. The zoom ring turns stiffly enough to make the zoom lock unnecessary. Autofocus is moderately fast and somewhat noisy on our test camera, the Canon EOS Digital Rebel XT. The lens cast no shadow at any focal length when used sans hood with the Rebel’s built-in flash.
IN THE LAB:
SQF results showed Excellent sharpness and contrast at the four tested focal lengths. This beats most of the Sigma’s superzoom competition, which usually dips into the Very Good and Good ranges at the long end.
Samsung NV11 review
Posted on September 28, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Samsung NV11 digital camera review : The camera market is subject to many changes. And I am not only speaking of the purely technical changes or the images’ perception from paper to digital, but the changes in the producers that are active in this market. Traditionally, these were the classic camera producers like Canon, Nikon, Olympus etc., nowadays brands like Panasonic and Samsung are also clearly present. Market share is being claimed by the outside world that has entered the camera market as an outsider and the efforts don’t seem to be without success. Samsung is a worthy brand that has entered the camera market as an outsider.
Samsung NV11 – ‘New Vision’
At first, with cheap looking models without any clear line, later followed by serious high quality. Topping the whole thing off, even a few actual digital SLR cameras; thanks to the close cooperation with Pentax, among other things. In the meantime, Samsung has dropped the name Digimax and replaced it by shorter names for the models. From the large Samsung camera selection, I chose the Samsung NV11 to review extensively. This model from the NV series is a more luxurious design and has been equipped with the same sensor as the NV10. Nonetheless, the NV10 has to settle for a 3x optical zoom, while the Samsung NV11 compact camera has been equipped with 5x optical zoom.
Samsung NV11 – Black solid housing
The design of the Samsung NV11 has remained virtually the same and with that continues to conduct a striking outline. The camera has a black solid housing and is decorated with a blue edge around the lens. Residual prominent features are a large and wide 2.7-inch LCD screen, the application of facial detection, high adjustable ISO up to 1600 ISO and Samsung’s ASR, the advanced image stabilizer. In short: interesting specifications, on paper. The camera can be supplied and therefore it is about time to place it on the review table.
Samsung NV11 – Face detection technology
The Samsung NV11 has been equipped with Samsung’s face detection technology, a technique that automatically detects the face, focuses and gives the proper exposure. With this, the Samsung NV11 is completely parallel with the latest trend. This technique, together with the remaining functions, is to be found in this brushed black, steel Samsung NV11 housing. With the fine blue ring around the lens, the Samsung NV11 is a striking camera.
Samsung NV11 camera review
The Samsung NV11 is a finely outlined design camera and with that, places itself in view of the public that appreciates a fine design. If the enthusiastic photographer will purchase such a digital jewel as a second camera, will come forth of the following review. For a longer period, I had the Samsung NV11 in the office for extensive testing. The results can be read in the following Samsung NV11 review.
Canon Digital IXUS 60 review
Posted on September 22, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Canon Digital IXUS 60 review : Canon are moving along rapidly. Besides wanting to have a large market share in each segment of the digital imaging market, Canon are naturally also keen to hold the actual number one position, and it seems they are well on the way to achieve it all. This is only emphasised by the introductions of their new products; there seems to be an incessant flow of camera arrivals. At the moment, the cycle for consumer compact cameras is six months. The Canon Digital IXUS 60 was introduced in February 2006, just before the start of the PMA 2006 in Orlando, United States. The new Canon IXUS 60 carries on the IXUS tradition. With its attractive design, a compact format and a housing made from high-quality material, the Canon Digital IXUS seems destined to score major points for Canon once again.
Canon Digital 60 – IXUS series
The Canon Digital IXUS 60 is able to maintain a somewhat classical appearance without becoming boring. The Japanese designer must have an amazing eye for contemporary design, as virtually every single thing having to do with the IXUS name seems to guarantee success. And so, the new Canon IXUS 60 becomes the latest addition to the IXUS family. A camera with a decent resolution of 6 Megapixels, 3x optical zoom with a focal range of 35 – 105mm (equivalent of a 35mm camera), the renowned DIGIC II processor, advanced auto focus, a variety of built-in scenes, a high sensitivity setting, and many, many more handy and clever features.
Canon IXUS 60 – Camera resolution
The camera makes the step from 5 to 6 Megapixels, which is a logical upgrade considering the current “standard” resolution. For this type of camera 6 Megapixels is more than enough to erase any lingering thought of a 35mm camera, and provides the user with sufficient image quality to edit the image creatively and make, for instance, an enlargement of a crop. The 2,5 inch LCD monitor on the back of the camera is the ideal replacement for the optical viewfinder, which is still present but could really be easily replaced by a larger size LCD display. Canon have already proven with the Digital IXUS 65 camera, which was introduced at the same time as the Canon IXUS 60 and which we will soon also cover in a digital camera review, that this produces truly striking results.
Canon Digital IXUS 60 digital camera – ISO 800
In the past, we have seen the small IXUS digital camera struggle a little with capturing images indoors; especially in situations where the effective range of the internal flash wasn’t quite up to par. The Canon Digital IXUS 60 is equipped with a high sensitivity setting, which enables you to use the camera to take photos indoors without a flash. In addition, the high value of ISO 800 should also minimise camera shake; an inexpensive solution to achieve image stabilisation, which is emphasised by the quick button that is positioned on the camera.
Canon IXUS 60 – Wide-screen 16:9 mode
The Canon IXUS 60 is also equipped with a new wide-screen 16:9 mode, which enables the user to capture true wide-screen images. This seems to be a rising trend, and shows how certain manufacturers feel about the camera and its place in multimedia surroundings, which is how they like to think of the modern living room.
Canon IXUS 60 digital camera review
The Canon Digital IXUS 60 is a luxurious digital compact camera, of which the emphasis lies not solely on design and the compact size. The photo quality and powerful image processing solutions, which come in the form of a DIGIC II processor, are of significant importance for this digital camera. The first impression is pleasant, but it was in practice that we were able to form our ultimate opinion on how the Canon IXUS 60 should be judged. Just how our judgement turned out can be read in the following Canon Digital IXUS 60 digital camera review.
Canon Digital IXUS 750 review
Posted on September 17, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Canon IXUS 750 digital camera review : During a press-conference August of this year, Canon introduced a new line of digital cameras, among which the new Canon Digital IXUS 750 digital camera. This camera is the latest top model in the successful IXUS line of digital cameras. The Canon IXUS 750 succeeds the IXUS 700 and has an attractive stainless steel body. As far as looks are concerned, the Digital IXUS 750 does not differ much from its predecessor. It’s safe to say that a digital camera from the IXUS line virtually always ensures a successful sale. The model has become a brand name in itself, an impressive achievement!
Canon Digital 750 – Big LCD display & DIGIC II processor
The biggest difference compared to the Canon Digital IXUS 700 is the large monitor on the back of the camera. The Canon IXUS 750 now comes with a 2.5-inch monitor. The CCD resolution of 7.1 Megapixels is big enough to make a good quality A3 print. The DIGIC II processor, one of Canon’s strongest products, also clearly contributes to this. It is the same processor that can be found in Canon’s other models, including the EOS 1Ds Mark II. The DIGIC II ensures short start-up times, short shutter release lag time, fast image processing and good image quality. That is not an advertising slogan, the processor has already proven itself more than once. The fact that Canon is capable of introducing innovative developments from the professional digital reflex world to the amateur product line, is evidence of great progressive drive.
Canon IXUS 750 – Lens & Artificial intelligence Autofocus
Thanks to the 7.7-23.1 mm lens, comparable to 37-111 mm with a 35mm camera, both close-ups and portraits can be made. The Canon Digital IXUS 750 has an auto focus system that works with artificial intelligence, AiAF (Artificial intelligence Auto focus). This ensures accurately focused photos; even in low-contrast settings the Canon 750 can focus effortlessly.
Canon Digital IXUS 750 review
The IXUS-series of digital cameras has been a highly popular line for years. The new Canon IXUS 750 seems to fit in perfectly. Design enthusiasts in particular take a keen interest in the IXUS line. Specifications will have to prove that the IXUS 750 is more than just hot air. The camera has some impressive features, at least in theory. We have had the opportunity to test the Canon Digital IXUS 750 in practice during a considerable amount of time. Our results can be found in the following Canon IXUS 750 review.
Head to Head Review: Nikon Coolpix S50 and Coolpix S500
Posted on September 14, 2007 - Filed Under Cameras, Photo, Reviews | Leave a Comment
Comparing the Nikon S50 ($299.99, street) to the Nikon S500 ($259.99, street), you’d expect the S500 to be the much better camera. It only makes sense, right?
I had to wonder too, since the names are so similar, would people mistake one for the other and if they did, would they be as happy with the camera they thought they were getting? There’s a lot of communal technology shared between these two cameras and in most aspects they are almost identical internally, yet packaged differently. Still, there are subtle differences that can move a consumer to choose one over the other and by researching the differences, you can ensure that what you pay for is really what you wanted.
The confusing nomenclature of these two cameras is only aggravated by the differing S50 models. There’s the S50 and the S50c. The “c” designates the wireless model that allows you to connect, upload and send images from Wi-Fi hotspots. This feature allows the user to locate a wireless network SSID and either e-mail images using the Nikon Coolpix Connect 2 or store them on a photo file server. The S50c also allows the user to use WEP wireless security, which enables the camera to register with secured networks. It’s a great feature that begs the question: Why does Nikon market a “with” and “without” version — with just about a ten dollar price difference (on store shelves, that is — list is about $50 apart). Just give us the wireless already!
Image Quality Shots
• Nikon Coolpix S500
• Nikon Coolpix S50
The 7.1 megapixel S500 is a “Camera of Steel.” The entire body is made of high grade, thick stainless steel that feels rock solid in your hands and has a surprisingly weighty feel to it. The S500 is also considerably boxier than the S50 and is almost utilitarian in its simplistic design. The backside controls on the S500 are also more graphically muted than the S50, having a 2.5 inch (230,000 pixel) LCD viewfinder/screen and button design/function keys that are noticeably larger than the S50. The zoom toggle has a longer width on the S500, but is thinner vertically than the S50, making zoom functions on the S500 more difficult. Yet, even with that one shortfall, the S500 is the overall winner in button placement and design.
Canon Digital IXUS 800 IS review
Posted on September 12, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Canon Digital IXUS 800 IS review : The successful series of digital IXUS cameras brings us the Canon Digital IXUS 800 IS digital camera. This new top model from the Digital IXUS series is equipped with the latest technology, and comes in the trendiest “jacket” of the series. As far as specifications are concerned, the Canon IXUS 800 IS leads Canon’s compact camera range; not only does the camera have the stylish looks that the IXUS line is famed for, it also features a 4x optical zoom and the same optical Image Stabilizer (IS) technology that is used in Canon’s professional EF lenses to reduce blur caused by movement of the photographer’s hand.
Canon Digital IXUS 800 IS digital compact camera
The Canon IXUS 800 IS was introduced early this year, right before the start of the PMA 2006. It did take three months for the camera to actually become available, but as the holiday season approaches, the time finally seems to have come for the Canon IXUS 800 IS to make its mark. Canon find themselves in the middle of a particularly successful period, which seems far from over. IDC recently published a report in which Canon is declared market leader of the Western European market for the fourth consecutive year. Despite the increased competition, Canon easily managed to hold on to their clear number one position in 2005. In the past year, 27 million digital compact cameras and digital SLR cameras were sold in Western Europe alone (as opposed to 25 million in 2004). As the ultimate number one in this market, Canon hold a 16.5% share.
Canon Digital IXUS 800 IS – Optical image stabiliser
The new Canon IXUS 800 IS aims at securing yet another successful period for Canon. It should be said that the specifications of this new camera certainly show promise. Canon’s strength is not only shown by the camera’s attractive design, but also by the fact that each introduction is accompanied by the integration of considerable innovations. New elements, or elements borrowed from Canon’s professional line, are carried through to the amateur line both rapidly and effortlessly. Therefore, it doesn’t come as a surprise that this is one of the most striking features of the Canon Digital IXUS 800 IS; besides a renewed design, the camera comes with first-rate technology, such as an optical image stabiliser, and the powerful DIGIC II processor.
Canon IXUS 800 IS – DIGital Imaging Core image processor
The DIGIC II (DIGital Imaging Core) image processor, designed and produced by Canon themselves, guarantees a swift start-up time, a short shutter release lag, fast image processing and excellent image quality. Although one might argue this comes across as nothing short of a commercial slogan, it should be said that the powerful image processor has already more than proven itself in the past. The fact that Canon are able to introduce innovative developments from the professional reflex world into their amateur product line, shows an impressive degree of progressive effort and perseverance.
Canon IXUS 800 IS review
The Canon Digital IXUS series of digital cameras has been successful for many years. At this time, the new Canon Digital IXUS 800 IS leads the series, and will undoubtedly enjoy a warm welcome from the IXUS enthusiasts. We had the opportunity to test the Canon IXUS 800 IS during a long period of time. Whether or not Canon set a new benchmark for their compact camera line can be read in the following Canon Digital IXUS 800 IS digital camera review.
Canon EOS 400D review
Posted on September 7, 2007 - Filed Under Cameras, Reviews | Leave a Comment
Canon EOS 400D SLR camera review : Three years ago, Canon shocked the camera market with the introduction of the 6 Megapixel EOS 300D. It was a price breakthrough that would prove very important for the DSLR market. Suddenly, a digital SLR camera had become available for the novice photographer. And things didn’t end there; since this event, digital SLR models have been in high demand. After a year and a half, Canon introduced the EOS 350D, which easily matched the success of its predecessor. It was a pretty safe bet that the successor of the EOS 350D would once again follow a year and a half later. Such was indeed the case. Canon’s latest DSLR camera turns out to be the Canon EOS 400D, a ten Megapixel model. Remarkably, the EOS 350D will remain in stores for now. That doesn’t change the fact, however, that the Canon 400D should be seen as its successor.
Canon EOS 400D – 2.5 inch LCD display
The frequency of the introductions may cause one to think the differences between the EOS types aren’t all that big. Canon’s rival Nikon, for instance, introduce their models at a more leisurely pace; which means the differences between, let’s say, the D70 and the D80 seem considerably more significant. However, if we put the EOS 300D next to the EOS 400D, we note a comparably large difference. The Canon EOS 400D is still a very compact DSLR camera, and upon first glance it certainly does resemble the EOS 350D. The camera’s back side, however, shows a main difference; the Canon 400D is equipped with a noticeably larger monitor, which has increased in size from 1.8-inch to 2.5-inch. Consequently, the small LCD display on top of the camera has disappeared. Canon have solved this issue by displaying the information on the large monitor, which is something we encounter quite frequently with many other competing models.
Canon EOS 400D – Features of EOS 30D
Naturally, the camera has also undergone a fair share of changes internally. The Canon 400D has, for instance, been equipped with the same 9-point auto focus as the pricier EOS 30D, whilst the buffer has been enlarged to 27 JPEG or 10 RAW images. As expected, the Canon EOS 400D has also been brought up-to-date with features that characterise all new Canon models. Examples are, among other things, Picture Styles, both a luminance histogram and a RGB histogram, three functions for the auto rotation of the image, 9999 images per folder, and the option to zoom in on a photo immediately after it is shot. In fact, the Canon EOS 400D has integrated many features of the EOS 30D; a DSLR from the higher segment.
Canon 400D – EOS Integrated Cleaning System
A striking difference between the EOS 350D and the new EOS 400D concerns the image sensor. However, it doesn’t have all that much to do with the fact that the amount of pixels has increased to 10 Megapixels; the difference compared to 8 Megapixels isn’t even that significant. The increase of Megapixels has likely been applied to ensure the camera keeps up with the competition; a marketing tool if you will. The Canon EOS 400D is the first Canon to feature a dust reduction system: EOS Integrated Cleaning System. We must say Canon take quite a clever approach to this issue. They start off with the area surrounding the sensor, the mirror housing and the bayonet. The parts that are used here have been designed in a way, and made from a certain type of material, that ensures dust will not stick to it quite as easily. After all, if dust isn’t around in the first place, it won’t come back to bother you later. A simple, yet very logical line of thought. The lid for the bayonet too has been made from a different material that attracts less dust. The surface of the sensor itself features an anti-static coating; which means dust is a lot less likely to stick to the valuable image sensor.
Canon EOS 400D SLR camera with Low Pass Filter
The third weapon in the battle against dust is the new Low Pass filter. A piezo element enables it to vibrate, which causes dust to fall from the filter, and thus vanish from sight. The digital SLR aficionados among us might find this story surprisingly familiar. After all, Olympus feature a similar system, and Sony too have shown they know how to shake dust from the sensor. Olympus, however, apply a system that features a separate filter, whilst Sony allow the entire sensor to vibrate. The advantage of Canon’s approach is that it may just prove cheaper (as it does not require an additional filter), as well as considerably less vulnerable than a sensor that shakes and vibrates with all its connections. Thanks to the piezo element, Canon’s anti-dust system also uses less power. With Canon’s system, the filter is activated whenever the camera is switched on or off. Fortunately, this will not cost you any valuable time; the shutter release button is dominant. As a result, you will always be able to capture your image quickly.
Canon EOS 400D digital SLR camera review
If despite these precautionary measures, you still find dust in your image, it can be easily removed through software. Simply capture an image of a white sheet of paper. This allows easy detection of dust; after all, the dust becomes black. The camera will then turn this into a so-called “Dust Delete Data”; a map which contains all the dust. At this stage, you can use Digital Photo Professional to remove the dust. Every file, even the standard JPEG format, will include this map. It seems Canon have finally come to acknowledge one of the main obstacles when working with a DSLR: dust. Although the differences between the new camera and its predecessor might seem small at first, the Canon EOS 400D is in fact an entirely new DSLR camera with several very interesting improvements. We had the Canon 400D camera in our office for a considerable amount of time. Our findings can be read in the following Canon EOS 400D digital SLR camera review.